Artwatch International
  • Home
  • Donate
  • Join
  • Position Statements
  • Projects
  • Contact
  • The Need & The Mission
  • ArtWatch UK Archive
  • Search
  • Menu
  • ArtWatch at Thirty, Part I: The Unstoppable, “Rapidly Filed Away” Sistine Chapel Restoration

    November this year marked ArtWatch International’s thirtieth anniversary and May 26th next year will mark the fifteenth anniversary of the death of its founder, James Beck, Professor of Renaissance Art History at Columbia University. 

    Read the ArtWatch UK article here.
  • Further Thoughts II: The less and less Leonardo ex-Cook collection Salvator Mundi

    Jacques Franck concludes a three-part demolition of the once attributed but now deposed, $450m New York/Russian/Saudi Leonardo da Vinci Salvator Mundi.

    Read the ArtWatch UK article here.
  • PROLOGUE TO FURTHER THOUGHTS II

    Jacques Franck explores the damaging restorations and mis-attributed works that follow art historical studies and scientific essays made in ignorance of actual historical artistic practices.

    Read the ArtWatch UK article here.
  • The Demise of the National Gallery’s “made just like Rubens” Samson and Delilah with inexplicably cropped toes

    Dalya Alberge reports a negative result on Artificial Intelligence comparisons of the Samson and Delilah’s brushwork with that on 148 uncontested Rubens paintings.

    Read the ArtWatch UK article here.
  • Peter Freeth R. A. – 40 Years of Aquatints

    There are no fewer than seventy-six works of constant, unsettling power in this show – every one of which is monumental in its effect regardless of size.

    Read the ArtWatch UK article here.
  • An Appliance of Science in Art Historical Studies

    “The thrilling focus put by Ann Pizzorusso’s research on the geology of Leonardo’s landscapes in works such as the Virgin of the Rocks and the Louvre’s The Virgin and Child with St. Anne is of foremost importance…”

    Read the ArtWatch UK article here.
  • With the Sistine Chapel ceiling we know, but who wrecked Gustav Klimt’s Helene and Sonja portraits?

    A century on from Klimt’s death scarcely a single picture has survived restorations true to its original self.

    Read the ArtWatch UK article here.
  • A National Gallery restoration that repudiates earlier National Gallery restorations

    Museum staffs invariably and hubristically claim that their expert and state-of-the-art picture restorations render all earlier studies obsolete.

    Read the ArtWatch UK article here.
  • The Disappeared Salvator Mundi’s endgame: Part I: Altered States and a Disappeared Book

    The notoriously disappeared picture is set to become a musical in 2022 in which “artistic liberties will be freely taken to make an enlightening and entertaining experience”. Amazon is offering T-Shirts showing the Salvator Mundi as it had looked in 2011 when part-restored.

    Read the ArtWatch UK article here.
  • Further thoughts about the ex-Cook Collection Salvator Mundi

    The Leonardo Salvator Mundi controversy turns on which artist’s hand is – or which artists’ hands are – present on the painting. While many scholars agree that more than one hand is present, as is demonstrated here, neither belongs to Leonardo.

    Read the ArtWatch UK article here.
  • The Saviour and a Stealth-Attribution

    After a dozen art historians had bet the art historical farm on a “from-nowhere” Salvator Mundi being an autograph Leonardo painting, it first fetched $450m in 2017 and then disappeared.

    Read the ArtWatch UK article here.
  • Situating La Bella Principessa’s Eye

    Showing how the drawn construction of “La Bella Principessa’s” eye bears stylistic affinities with of eyes encountered in Cubist artists like Juan Gris and is anatomically incompatible with Leonardo’s own drawn and painted eyes.

    Read the ArtWatch UK article here.
  • Hollow Gods and Dangerous Beauty

    The unsung – and free – delights of London’s non-museum, private art gallery network, as encountered in two memorable exhibitions on one street in St James’.

    Read the ArtWatch UK article here.
  • From Guido to Boccioni – The Liberation and Repudiation of Classicism

    The Estorick Collection’s ground-breaking Anders Rådén and Matt Smith show Umberto Boccioni: Recreating the Lost Sculptures

    Read the ArtWatch UK article here.
  • Books on No-Hope Attributions

    Recent additions to the fast-growing and least-estimable art-book publishing genre – The Partisan Book of Art Attribution Advocacy.

    Read the ArtWatch UK article here.
  • The non-appearing, disappeared, $450million, now officially not-Leonardo, Salvator Mundi

    The downgrading of the $450million, supposedly long-lost, Leonardo-painted prototype Salvator Mundi by the Louvre Museum in its catalogue for the blockbuster exhibition “Léonard de Vinci”.

    Read the ArtWatch UK article here.
  • Notre-Dame: A Tale of Two Pathologies

    An indecent, inferno-facilitated rush by the French State to rebuild “anew” a long-neglected and disparaged Gothic Cathedral as a “contemporary art gesture”.

    Read the ArtWatch UK article here.
  • Notre-Dame Cathedral: Another restoration, another fire – and more unanswered questions

    The Notre-Dame Cathedral inferno was not an act of God. It arose within a particular restoration programme under a singular (ambivalent) French heritage ethos that has spawned many fires.

    Read the Artwatch UK article here.
  • $450 Million Salvator Mundi: Dead in the Water

    The attribution of the world’s most expensive painting – the $450 million Louvre Abu Dhabi Salvator Mundi – has collapsed under the combined weights of two scholars’ findings and the picture’s own artistic and art historical implausibility.

    Read the ArtWatch UK article here
  • The pear-shaped Salvatore Mundi

    New revelations send the Louvre Abu Dhabi Salvatore Mundi towards a pear-shaped fate.

    Read the Artwatch UK Article Here
  • Two Developments in Abu Dhabi Louvre Leonardo Saga

    At left, a previous “Leonardo” Salvator Mundi contender. At right, the Louvre Abu Dhabi Salvator Mundi as sold in 2017. The seller is now suing Sotheby’s for fraud in connection with the sale to him of the painting.

    Read the ArtWatch UK Article Here
  • Whitewashing of Chartres Cathedral Stonework

    Chartres cathedral stone work in its pre- and post-restoration conditions.

    Read the ArtWatch UK article here
  • How the Louvre Abu Dhabi Salvator Mundi became a Leonardo-from-nowhere

    left to right: screenshot of 2005 state; as exhibited as an autograph Leonardo painting in Dec 2011 at the National Gallery; as sold at Christie’s, New York, in Nov 2017

    Read the ArtWatch UK article here.
  • The Words of Conservation: Manet, Pastiche, and Authenticity at the Guggenheim

    Édouard Manet, Woman in Striped Dress (before and after treatment – DETAIL), 1877–80. Oil on canvas, 174.3 x 83.5 cm
    Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser, 1978. Photo: Allison Chipak. © Solomon R. Guggenheim Foundation, 2018.

    Read the ArtWatch article here.
    2018-08-31 - Manet - Guggenheim - Words of Conservation
  • “Leonardo scholar challenges attribution of $450m painting”

    Image: infra-red reflectogram of Louvre Abu Dhabi “Salvator Mundi”; detail of the London National Gallery’s “Christ among the Doctors” by Leonardo’s assistant, Bernardino Luini

    Read the ArtWatch UK article here.
  • Deaccession Misperceptions

    Check the facts before critiquing the professionals.

    Read the ArtWatch article here.
  • Berkshire Museum Art Goes to Auction

    Image: Art deaccessioned from the Berkshire on view at Sotheby’s. Courtesy: Two Coats of Paint blog.

    Read the ArtWatch article here.
  • In Memoriam: Tom Wolfe (1930-2018)

    Image: Tom Wolfe as photographed in New York in 1968 by Sam Falk for The New York Times.

    Read the ArtWatch UK article here.
  • Rodin & Ancient Greek Art: A Personal View of a Magnificent Show


    Read the ArtWatch UK article here.
  • What is a Library without its Books? The Battle to Save the UT Austin Fine Arts Library.

    Image Courtesy: Abigail Sharp.

    Read the ArtWatch article here.
  • The Leonardo "Salvator Mundi" Saga: Three Developments

    Image Courtesy: Drew Angerer / Getty Images – as published 2 Apr 2018 in “Buffalo News”.

    Read the ArtWatch UK article here.
  • In Celebration: Paul Anthony Harford, Draughtsman

    On view at Focal Point Gallery through April 22nd (Southend-on-Sea, England).

    Read the ArtWatch UK article here.
  • Startling Disclosures on the re-re-restored Leonardo Salvator Mundi

    Image: The two Arab princes who settled into a bidding war for the work. Courtesy: Getty Images.

    Read the ArtWatch UK article here.
  • In Their Own Words Pt. 3: The Reception of the First Leonardo ‘Salvator Mundi’

    Image Courtesy: The Sunday Times Magazine (Oct 2011)

    Read the ArtWatchUK article here.
  • In Their Own Words Pt 2: The Curse of (revenue-generating, thought-precluding) Audio-Guides

    Image: Clay Cofer, an Art Team member at the Barnes Foundation, does a pop-up gallery talk for visitors. Courtesy: SYDNEY SCHAEFER, Barnes Foundation Staff Photographer.

    Read the ArtWatch UK article here.
  • In Their Own Words Pt 1: Civilisations & Burrell Loans

    Image: Simon Schama fronting the scathingly-received 2018 multi-voiced Civilisations outside Itimad-ud-Daulah’s Tomb in Agra, Uttar Pradesh. Courtesy: BBC.

    Read the ArtWatch UK article here.
  • Holding the Public’s Interest: The Show of Art Conservation

    Image: Jackson Pollock Number 1, 1949 (1949). Enamel and metallic paint on canvas. Courtesy: MOCA LA.

    Read the ArtWatch article here.
  • A day in the life of the new Louvre Abu Dhabi Annexe’s pricey new Leonardo Salvator Mundi

    Image: French Prime Minister Edouard Philippe with Shiekh Hamed bin Zayed Al Nahyan, CEO of Abu Dhabi Investment Authority, during inauguration of BNP paribas Abu Dhabi Global market Branch on February 10, 2018. Courtesy: Karim Sahib for AFP / Art Daily.

    Read the ArtWatch UK article here.
    2018-02-13 ArtWatch UK - Salvator Mundi Louvre Abu Dhabi
  • Nouveau riche? Welcome to the Club!

    Michael Daley considers Georgina Adams’ new book “The Dark Side of the Boom”.
    Image Courtesy: Amazon

    Read the ArtWatch UK article here.
    2018-02-27 -Dark-Side-Of-The-Boom-Art-Market-ArtWatchUK
  • Who Gets the Conservation Dollars??

    Image Courtesy: Bank of America Art Conservation Project.

    Read the ArtWatch article here.
  • The $450m New York Leonardo Salvator Mundi Part II: It Restores, It Sells, therefore It Is

    The painting being examined in the National Gallery in 2011. Courtesy: CNBC.

    Read the ArtWatch UK article here.
    2018-02-05 - ArtWatch UK - Salvator Mundi Part II
  • Another Loss for Arts Stewardship: La Salle’s Sale

    Image Courtesy: La Salle University (Philadelphia, PA).

    Read the ArtWatch article here.
  • Museums & the Public Interest: More Questions for the Berkshire Museum

    Image Courtesy: artnet News.

    Read the ArtWatch article here.
  • Fragonard’s Layers & the Promotion of Conservation Treatments

    Image courtesy: Mandel Ngan / AFP.

    Read the ArtWatch article here.
  • Problems with the New York Leonardo Salvator Mundi Part I: Provenance and Presentation

    Images: Heydenreich’s 1964 study “Leonardo’s ‘Salvator Mundi’”.

    Read the ArtWatch UK article here.
  • Museum Mismanagement on Trial: The Berkshire Museum Taken to Court.


    Read the ArtWatch article here.
  • Satellite Museum Dreams and Misgivings in Abu Dhabi

    Image courtesy: Saadiyat Cultural District website.

    Read the ArtWatch article here.
  • Degas and the Problem of Finish

    AWUK Feature by Alexander Adams.

    Image: Dance Examination (Examen de Danse), 1880. Courtesy: Denver Art Museum.

    Read the ArtWatch UK article here.
  • Leonardo, Salvator Mundi, and an “unusual lapse”

    Image: Salvator Mundi (detail)

    Read the ArtWatch UK article here.
  • THE ANNUAL JAMES BECK MEMORIAL LECTURE: ‘Never trust the teller trust the tale’

    A memorial lecture, two journals and an assault on scholarship.

    Image: Bartolomeo Manfredi, Mars Chastising Cupid, 1613. Courtesy: Art Institute of Chicago.

    Read the ArtWatch UK article here.
  • The (not so-new) latest New Leonardo Discovery.

    Image: detail of “Joconde nue” (as published showing prick marks when the design was transferred for use on panel). Courtesy: Musée Condé, Chantilly.

    Read the ArtWatch UK article here.
  • Mondrian, Schmondrian – another lapse of museum expertise.


    Read the ArtWatch UK article here.
  • Master Plan? Or Master Disaster? The Nation’s Arts Community Reacts to the Berkshire Museum’s Plan to Sell 40 Works.

    Image: Berkshire Museum in Pittsfield, MA.

    Read the ArtWatch article here.
  • UPDATE: Mucha’s “Slav Epic” in Transit

    Image: Mucha installation in 2011, which will now be shifted across two more continents. Courtesy: The Art Newspaper.

    Read the ArtWatch article here.
  • Review: Center for Art Law Event “F for Fake”.

    Image: Orson Wells in “F for Fake” (1973).

    Read the ArtWatch article here.
  • Where There’s a Will, There’s a Way: Rodin’s Fragile “L’Absolution” Treated for Display & Travel?

    Image: Auguste Rodin’s “L’Absolution” on display. Courtesy: Musée Rodin Paris.

    Read the ArtWatch article here.
  • Mucha’s “Slav Epic” On Tour: What Story Will the Canvases Tell after Two Years of Traveling?

    Image: “The-Slavs in Their Original Homeland” (1912). Courtesy: Mucha Foundation

    Read the ArtWatch article here.
PreviousNext
123456789101112131415161718192021222324252627282930313233343536373839404142434445464748495051525354555657

ArtWatch International is a non-profit 501(c)3 incorporated in the state of New York in 1992 as an international advocate for the voice of art in the conservation and stewardship of historically significant works. It was founded by Columbia University art historian Professor James Beck to serve as a watchdog organization in the arena of cultural policy, protecting works of art and the public interest from vested private and institutional interests. We operate on a project by project basis, establishing task forces to determine the levels and methods of engagement in specific conservation, restoration and cultural policy issues and problems. Some problems have been addressed through scholarly work and publications, other through advisory and consulting arrangements, still others by symposia, debate, lecture forums, and intensive work with the media.

For more from our partner organization, ArtWatch UK, click here:

2016-10-15 Corcoran Collection National Gallery of Art
Article, Position Statement

Remembering the Consequences of Mishandling Art.

Ruth Osborne Every so often it is useful – indeed, instructing – to take a glance at the current environment in the art world and see what recent developments show about what the future holds. For ArtWatch, this means considering again the consequences of collections across the country that we have seen dismembered or mishandled over the past few […]

Read more
October 15, 2016/0 Comments/by Ruth
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2016-10-15-Corcoran-Collection-National-Gallery-of-Art.jpg 193 300 Ruth https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Ruth2016-10-15 19:09:262017-09-26 17:03:21Remembering the Consequences of Mishandling Art.
2016-09-29 - James Beck Memorial Lecture - Art Students League New York
Article, Event

Recap: 2016 James Beck Memorial Lecture

This year’s 8th annual James beck Memorial Lecture was hosted last Thursday evening at The Art Students League of New York in midtown. Alternating between London and New York, ArtWatch holds this event each year to honor memory, scholarly efforts, and unwavering commitment to artistic stewardship of its founder, Professor James Beck. Since Beck’s passing […]

Read more
September 29, 2016/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2016-09-29-James-Beck-Memorial-Lecture-Art-Students-League-New-York.jpg 214 300 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2016-09-29 18:49:042017-09-19 15:06:25Recap: 2016 James Beck Memorial Lecture
2016-09-23 - Frank Mason Storing Hay Pownal VT
Article, Event

Frank Mason Painting Raffle to Benefit the Preservation of the Historic Salmagundi Club.

Ruth Osborne Our 8th annual James Beck Memorial Lecture was a brilliant gathering of those invested in the making of art and the stewarding of its well being. We were proud to have this year’s lecture hosted at the Art Students League of New York, an historic institution that has been instrumental and innovative in art […]

Read more
September 23, 2016/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2016-09-23-Frank-Mason-Storing-Hay-Pownal-VT.jpg 668 800 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2016-09-23 10:51:432017-09-19 15:06:06Frank Mason Painting Raffle to Benefit the Preservation of the Historic Salmagundi Club.
2016-08-15 - James Beck 2003
Event

ArtWatch International Presents the 2016 James Beck Memorial Lecture and Reception

  ArtWatch International, Inc. is pleased to announce our seventh annual James Beck Memorial Lecture. Each year ArtWatch holds an annual James Beck Memorial Lecture and reception to commemorate the scholarly career and the principled stand of its founder, Professor James Beck. The lectures, organized by Michael Daley, the director of ArtWatch UK, provide a platform for […]

Read more
August 15, 2016/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2016/08/2016-08-15-James-Beck-2003.jpg 1796 1503 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2016-08-15 13:29:442017-09-20 18:26:13ArtWatch International Presents the 2016 James Beck Memorial Lecture and Reception
2016-07-12 - Fred Trump Coney Island
Article

Donald’s Demolition: Reckless Jackhammering of Artistic Heritage to Make Way for the First Trump Tower.

Ruth Osborne What to do with some iconic sculptures on the façade of a historic building that is being razed for a new glass tower? Well, you could remove them intact and give them to the museum just blocks up the street. Or you could forget about salvaging architectural remains altogether and just smash them along with the rest […]

Read more
July 12, 2016/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2016/07/2016-07-12-Fred-Trump-Coney-Island.jpg 500 800 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2016-07-12 17:40:362017-09-20 18:27:07Donald's Demolition: Reckless Jackhammering of Artistic Heritage to Make Way for the First Trump Tower.
2016-06-14 - Matrera Castle Spain
Article, Position Statement

Architectural Restoration & the “Blank Space”

Ruth Osborne What is a restorer to do when only a fragmented portion of a historic building, or work of art, remains? News reports this month have been lauding the 10-year long conservation on a terribly wrecked picture by 16th century Italian artist del Piombo at the Fitzwilliam Museum in Cambridge. But what happens when […]

Read more
June 14, 2016/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2016/06/2016-06-14-Matrera-Castle-Spain.jpg 1286 1680 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2016-06-14 15:02:132017-09-20 18:37:11Architectural Restoration & the "Blank Space"
2016-04-27 - Salmagundi Club 5th Ave
Article, Event

Recap: Historic Preservation Panel

Ruth Osborne What Do the Last 50 Years Tell Us About the Next 50? That was the question of the night earlier this month when three individuals from organizations across the city came to The Salmagundi Club to discuss the challenges and successes of historic preservation in New York, and how we can learn from these past […]

Read more
April 27, 2016/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2016/04/2016-04-27-Salmagundi-Club-5th-Ave.jpg 667 500 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2016-04-27 13:17:542017-09-20 18:38:00Recap: Historic Preservation Panel
2016-03-10 - midtown Manhattan aerial
Article, Event

ArtWatch International Presents: 2016 Panel on Preservation

ArtWatch International is pleased to announce that on April 7th, it will be hosting a collaborative lecture and panel with other respected colleagues involved in the historic preservation of art and history in New York City. This event will be free and open to the public, hosted at The Salmagundi Club on 5th Ave. See below for […]

Read more
March 10, 2016/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2016/03/2016-02-15-midtown-Manhattan-aerial.jpg 799 1024 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2016-03-10 11:10:552017-09-26 15:31:45ArtWatch International Presents: 2016 Panel on Preservation
2016-02-15 - Church of Holy Innocents Albany abandoned
Article, Position Statement

The Uncertain Future of Local History & Preservation.

Ruth Osborne Last week, we saw a significant decision that will shape the future of architectural preservation and local history in New York City. And perhaps not for the better. On Wednesday, the City Council held its final hearing on Mayor de Blasio’s “Zoning for Quality & Affordability” (ZQA) plan, which last week was approved (9-3-1) […]

Read more
February 15, 2016/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2016/02/2016-02-15-Church-of-Holy-Innocents-Albany-abandoned.jpg 300 204 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2016-02-15 10:08:572017-09-20 18:24:37The Uncertain Future of Local History & Preservation.
2015-12-14 - artwatch uk michelangelo prophet
Article, Event, Review

Recap: Art, Law and Crises of Connoisseurship Conference 2015

Ruth Osborne Last week in London, a rather remarkable gathering was held at the Society of Antiquaries at Burlington House. Our sister organization, ArtWatch UK collaborated with colleagues at the Center for Art Law (USA) and the LSE Cultural Heritage Law (UK) to host the Art, Law and Crisis of Connoisseurship conference on December 1st. The […]

Read more
December 14, 2015/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2015/12/2015-12-14-artwatch-uk-michelangelo-prophet.jpg 598 430 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2015-12-14 14:58:012017-09-26 15:47:54Recap: Art, Law and Crises of Connoisseurship Conference 2015
Page 3 of 14‹12345›»
Share with followers.
  • Share on Facebook
  • Share on Twitter
  • Share on Linkedin
  • Share on Reddit
  • Share by Mail

Send us mail

Followon TwitterSubscribeto RSS Feed

Tags

AAM American Alliance of Museums architecture art conservation art damage art restoration Berkshire Museum collection stewardship Corcoran Corcoran College Corcoran Gallery Corcoran Gallery of Art corporate sponsorship deaccession Delaware Art Museum exhibition Florence frescoes Giotto Greenwich Village Greenwich Village Society for Historic Preservation historic preservation Italian art Italy James Beck James Beck Memorial Lecture Landmarks Preservation Commission Leonardo Leonardo da Vinci Metropolitan Museum of Art Michelangelo museum expansion National Gallery London National Gallery of Art Padua Picasso Renaissance Renaissance art restorers Save the Corcoran Sistine Ceiling Sistine Chapel traveling exhibition Vatican Vatican Museums

Categories

  • Article (125)
  • ArtWatch Italia (1)
  • ArtWatch UK (2)
  • Event (12)
  • Open Letter (4)
  • Petition (3)
  • Position Statement (38)
  • Review (2)
  • Uncategorized (2)

Archives

  • August 2018
  • July 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • August 2017
  • May 2017
  • April 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • April 2016
  • March 2016
  • February 2016
  • December 2015
  • November 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • May 2013
  • April 2013
  • January 2013
  • December 2012
  • November 2012
  • December 2007
  • May 2007
  • February 2007
  • June 2006
  • May 2006
  • November 2005
  • October 2005
  • September 2005
  • July 2005
  • June 2005
  • February 2005
  • January 2005
  • December 2004
  • November 2004
  • September 2004
  • August 2004
  • July 2004
  • May 2004
  • April 2004
  • March 2004
  • February 2004
  • January 2004
  • December 2003
  • November 2003
  • July 2003
  • June 2003
  • April 2003
  • March 2003
  • February 2003
  • January 2003
  • October 2002
  • July 2002
  • May 2002
  • April 2002
  • February 2002
  • November 2001
  • October 2001
  • August 2001
  • July 2001
  • June 2001
  • March 2001
  • February 2001
  • January 2001
  • November 2000
  • March 2000
  • February 1999
  • June 1998
  • January 1998
  • November 1997
  • June 1997
  • March 1996

Interesting links

Here are some interesting links for you! Enjoy your stay :)

Pages

  • Coming Soon
  • Home
  • The Need & The Mission
  • Position Statements
  • Projects
  • Join
  • Donate
  • Contact

Categories

  • Article
  • ArtWatch Italia
  • ArtWatch UK
  • Event
  • Open Letter
  • Petition
  • Position Statement
  • Review
  • Uncategorized

Archive

  • August 2018
  • July 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • August 2017
  • May 2017
  • April 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • April 2016
  • March 2016
  • February 2016
  • December 2015
  • November 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • May 2013
  • April 2013
  • January 2013
  • December 2012
  • November 2012
  • December 2007
  • May 2007
  • February 2007
  • June 2006
  • May 2006
  • November 2005
  • October 2005
  • September 2005
  • July 2005
  • June 2005
  • February 2005
  • January 2005
  • December 2004
  • November 2004
  • September 2004
  • August 2004
  • July 2004
  • May 2004
  • April 2004
  • March 2004
  • February 2004
  • January 2004
  • December 2003
  • November 2003
  • July 2003
  • June 2003
  • April 2003
  • March 2003
  • February 2003
  • January 2003
  • October 2002
  • July 2002
  • May 2002
  • April 2002
  • February 2002
  • November 2001
  • October 2001
  • August 2001
  • July 2001
  • June 2001
  • March 2001
  • February 2001
  • January 2001
  • November 2000
  • March 2000
  • February 1999
  • June 1998
  • January 1998
  • November 1997
  • June 1997
  • March 1996
© Copyright - Artwatch International - Enfold Theme by Kriesi
Scroll to top