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  • ArtWatch at Thirty, Part I: The Unstoppable, “Rapidly Filed Away” Sistine Chapel Restoration

    November this year marked ArtWatch International’s thirtieth anniversary and May 26th next year will mark the fifteenth anniversary of the death of its founder, James Beck, Professor of Renaissance Art History at Columbia University. 

    Read the ArtWatch UK article here.
  • Further Thoughts II: The less and less Leonardo ex-Cook collection Salvator Mundi

    Jacques Franck concludes a three-part demolition of the once attributed but now deposed, $450m New York/Russian/Saudi Leonardo da Vinci Salvator Mundi.

    Read the ArtWatch UK article here.
  • PROLOGUE TO FURTHER THOUGHTS II

    Jacques Franck explores the damaging restorations and mis-attributed works that follow art historical studies and scientific essays made in ignorance of actual historical artistic practices.

    Read the ArtWatch UK article here.
  • The Demise of the National Gallery’s “made just like Rubens” Samson and Delilah with inexplicably cropped toes

    Dalya Alberge reports a negative result on Artificial Intelligence comparisons of the Samson and Delilah’s brushwork with that on 148 uncontested Rubens paintings.

    Read the ArtWatch UK article here.
  • Peter Freeth R. A. – 40 Years of Aquatints

    There are no fewer than seventy-six works of constant, unsettling power in this show – every one of which is monumental in its effect regardless of size.

    Read the ArtWatch UK article here.
  • An Appliance of Science in Art Historical Studies

    “The thrilling focus put by Ann Pizzorusso’s research on the geology of Leonardo’s landscapes in works such as the Virgin of the Rocks and the Louvre’s The Virgin and Child with St. Anne is of foremost importance…”

    Read the ArtWatch UK article here.
  • With the Sistine Chapel ceiling we know, but who wrecked Gustav Klimt’s Helene and Sonja portraits?

    A century on from Klimt’s death scarcely a single picture has survived restorations true to its original self.

    Read the ArtWatch UK article here.
  • A National Gallery restoration that repudiates earlier National Gallery restorations

    Museum staffs invariably and hubristically claim that their expert and state-of-the-art picture restorations render all earlier studies obsolete.

    Read the ArtWatch UK article here.
  • The Disappeared Salvator Mundi’s endgame: Part I: Altered States and a Disappeared Book

    The notoriously disappeared picture is set to become a musical in 2022 in which “artistic liberties will be freely taken to make an enlightening and entertaining experience”. Amazon is offering T-Shirts showing the Salvator Mundi as it had looked in 2011 when part-restored.

    Read the ArtWatch UK article here.
  • Further thoughts about the ex-Cook Collection Salvator Mundi

    The Leonardo Salvator Mundi controversy turns on which artist’s hand is – or which artists’ hands are – present on the painting. While many scholars agree that more than one hand is present, as is demonstrated here, neither belongs to Leonardo.

    Read the ArtWatch UK article here.
  • The Saviour and a Stealth-Attribution

    After a dozen art historians had bet the art historical farm on a “from-nowhere” Salvator Mundi being an autograph Leonardo painting, it first fetched $450m in 2017 and then disappeared.

    Read the ArtWatch UK article here.
  • Situating La Bella Principessa’s Eye

    Showing how the drawn construction of “La Bella Principessa’s” eye bears stylistic affinities with of eyes encountered in Cubist artists like Juan Gris and is anatomically incompatible with Leonardo’s own drawn and painted eyes.

    Read the ArtWatch UK article here.
  • Hollow Gods and Dangerous Beauty

    The unsung – and free – delights of London’s non-museum, private art gallery network, as encountered in two memorable exhibitions on one street in St James’.

    Read the ArtWatch UK article here.
  • From Guido to Boccioni – The Liberation and Repudiation of Classicism

    The Estorick Collection’s ground-breaking Anders Rådén and Matt Smith show Umberto Boccioni: Recreating the Lost Sculptures

    Read the ArtWatch UK article here.
  • Books on No-Hope Attributions

    Recent additions to the fast-growing and least-estimable art-book publishing genre – The Partisan Book of Art Attribution Advocacy.

    Read the ArtWatch UK article here.
  • The non-appearing, disappeared, $450million, now officially not-Leonardo, Salvator Mundi

    The downgrading of the $450million, supposedly long-lost, Leonardo-painted prototype Salvator Mundi by the Louvre Museum in its catalogue for the blockbuster exhibition “Léonard de Vinci”.

    Read the ArtWatch UK article here.
  • Notre-Dame: A Tale of Two Pathologies

    An indecent, inferno-facilitated rush by the French State to rebuild “anew” a long-neglected and disparaged Gothic Cathedral as a “contemporary art gesture”.

    Read the ArtWatch UK article here.
  • Notre-Dame Cathedral: Another restoration, another fire – and more unanswered questions

    The Notre-Dame Cathedral inferno was not an act of God. It arose within a particular restoration programme under a singular (ambivalent) French heritage ethos that has spawned many fires.

    Read the Artwatch UK article here.
  • $450 Million Salvator Mundi: Dead in the Water

    The attribution of the world’s most expensive painting – the $450 million Louvre Abu Dhabi Salvator Mundi – has collapsed under the combined weights of two scholars’ findings and the picture’s own artistic and art historical implausibility.

    Read the ArtWatch UK article here
  • The pear-shaped Salvatore Mundi

    New revelations send the Louvre Abu Dhabi Salvatore Mundi towards a pear-shaped fate.

    Read the Artwatch UK Article Here
  • Two Developments in Abu Dhabi Louvre Leonardo Saga

    At left, a previous “Leonardo” Salvator Mundi contender. At right, the Louvre Abu Dhabi Salvator Mundi as sold in 2017. The seller is now suing Sotheby’s for fraud in connection with the sale to him of the painting.

    Read the ArtWatch UK Article Here
  • Whitewashing of Chartres Cathedral Stonework

    Chartres cathedral stone work in its pre- and post-restoration conditions.

    Read the ArtWatch UK article here
  • How the Louvre Abu Dhabi Salvator Mundi became a Leonardo-from-nowhere

    left to right: screenshot of 2005 state; as exhibited as an autograph Leonardo painting in Dec 2011 at the National Gallery; as sold at Christie’s, New York, in Nov 2017

    Read the ArtWatch UK article here.
  • The Words of Conservation: Manet, Pastiche, and Authenticity at the Guggenheim

    Édouard Manet, Woman in Striped Dress (before and after treatment – DETAIL), 1877–80. Oil on canvas, 174.3 x 83.5 cm
    Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser, 1978. Photo: Allison Chipak. © Solomon R. Guggenheim Foundation, 2018.

    Read the ArtWatch article here.
    2018-08-31 - Manet - Guggenheim - Words of Conservation
  • “Leonardo scholar challenges attribution of $450m painting”

    Image: infra-red reflectogram of Louvre Abu Dhabi “Salvator Mundi”; detail of the London National Gallery’s “Christ among the Doctors” by Leonardo’s assistant, Bernardino Luini

    Read the ArtWatch UK article here.
  • Deaccession Misperceptions

    Check the facts before critiquing the professionals.

    Read the ArtWatch article here.
  • Berkshire Museum Art Goes to Auction

    Image: Art deaccessioned from the Berkshire on view at Sotheby’s. Courtesy: Two Coats of Paint blog.

    Read the ArtWatch article here.
  • In Memoriam: Tom Wolfe (1930-2018)

    Image: Tom Wolfe as photographed in New York in 1968 by Sam Falk for The New York Times.

    Read the ArtWatch UK article here.
  • Rodin & Ancient Greek Art: A Personal View of a Magnificent Show


    Read the ArtWatch UK article here.
  • What is a Library without its Books? The Battle to Save the UT Austin Fine Arts Library.

    Image Courtesy: Abigail Sharp.

    Read the ArtWatch article here.
  • The Leonardo "Salvator Mundi" Saga: Three Developments

    Image Courtesy: Drew Angerer / Getty Images – as published 2 Apr 2018 in “Buffalo News”.

    Read the ArtWatch UK article here.
  • In Celebration: Paul Anthony Harford, Draughtsman

    On view at Focal Point Gallery through April 22nd (Southend-on-Sea, England).

    Read the ArtWatch UK article here.
  • Startling Disclosures on the re-re-restored Leonardo Salvator Mundi

    Image: The two Arab princes who settled into a bidding war for the work. Courtesy: Getty Images.

    Read the ArtWatch UK article here.
  • In Their Own Words Pt. 3: The Reception of the First Leonardo ‘Salvator Mundi’

    Image Courtesy: The Sunday Times Magazine (Oct 2011)

    Read the ArtWatchUK article here.
  • In Their Own Words Pt 2: The Curse of (revenue-generating, thought-precluding) Audio-Guides

    Image: Clay Cofer, an Art Team member at the Barnes Foundation, does a pop-up gallery talk for visitors. Courtesy: SYDNEY SCHAEFER, Barnes Foundation Staff Photographer.

    Read the ArtWatch UK article here.
  • In Their Own Words Pt 1: Civilisations & Burrell Loans

    Image: Simon Schama fronting the scathingly-received 2018 multi-voiced Civilisations outside Itimad-ud-Daulah’s Tomb in Agra, Uttar Pradesh. Courtesy: BBC.

    Read the ArtWatch UK article here.
  • Holding the Public’s Interest: The Show of Art Conservation

    Image: Jackson Pollock Number 1, 1949 (1949). Enamel and metallic paint on canvas. Courtesy: MOCA LA.

    Read the ArtWatch article here.
  • A day in the life of the new Louvre Abu Dhabi Annexe’s pricey new Leonardo Salvator Mundi

    Image: French Prime Minister Edouard Philippe with Shiekh Hamed bin Zayed Al Nahyan, CEO of Abu Dhabi Investment Authority, during inauguration of BNP paribas Abu Dhabi Global market Branch on February 10, 2018. Courtesy: Karim Sahib for AFP / Art Daily.

    Read the ArtWatch UK article here.
    2018-02-13 ArtWatch UK - Salvator Mundi Louvre Abu Dhabi
  • Nouveau riche? Welcome to the Club!

    Michael Daley considers Georgina Adams’ new book “The Dark Side of the Boom”.
    Image Courtesy: Amazon

    Read the ArtWatch UK article here.
    2018-02-27 -Dark-Side-Of-The-Boom-Art-Market-ArtWatchUK
  • Who Gets the Conservation Dollars??

    Image Courtesy: Bank of America Art Conservation Project.

    Read the ArtWatch article here.
  • The $450m New York Leonardo Salvator Mundi Part II: It Restores, It Sells, therefore It Is

    The painting being examined in the National Gallery in 2011. Courtesy: CNBC.

    Read the ArtWatch UK article here.
    2018-02-05 - ArtWatch UK - Salvator Mundi Part II
  • Another Loss for Arts Stewardship: La Salle’s Sale

    Image Courtesy: La Salle University (Philadelphia, PA).

    Read the ArtWatch article here.
  • Museums & the Public Interest: More Questions for the Berkshire Museum

    Image Courtesy: artnet News.

    Read the ArtWatch article here.
  • Fragonard’s Layers & the Promotion of Conservation Treatments

    Image courtesy: Mandel Ngan / AFP.

    Read the ArtWatch article here.
  • Problems with the New York Leonardo Salvator Mundi Part I: Provenance and Presentation

    Images: Heydenreich’s 1964 study “Leonardo’s ‘Salvator Mundi’”.

    Read the ArtWatch UK article here.
  • Museum Mismanagement on Trial: The Berkshire Museum Taken to Court.


    Read the ArtWatch article here.
  • Satellite Museum Dreams and Misgivings in Abu Dhabi

    Image courtesy: Saadiyat Cultural District website.

    Read the ArtWatch article here.
  • Degas and the Problem of Finish

    AWUK Feature by Alexander Adams.

    Image: Dance Examination (Examen de Danse), 1880. Courtesy: Denver Art Museum.

    Read the ArtWatch UK article here.
  • Leonardo, Salvator Mundi, and an “unusual lapse”

    Image: Salvator Mundi (detail)

    Read the ArtWatch UK article here.
  • THE ANNUAL JAMES BECK MEMORIAL LECTURE: ‘Never trust the teller trust the tale’

    A memorial lecture, two journals and an assault on scholarship.

    Image: Bartolomeo Manfredi, Mars Chastising Cupid, 1613. Courtesy: Art Institute of Chicago.

    Read the ArtWatch UK article here.
  • The (not so-new) latest New Leonardo Discovery.

    Image: detail of “Joconde nue” (as published showing prick marks when the design was transferred for use on panel). Courtesy: Musée Condé, Chantilly.

    Read the ArtWatch UK article here.
  • Mondrian, Schmondrian – another lapse of museum expertise.


    Read the ArtWatch UK article here.
  • Master Plan? Or Master Disaster? The Nation’s Arts Community Reacts to the Berkshire Museum’s Plan to Sell 40 Works.

    Image: Berkshire Museum in Pittsfield, MA.

    Read the ArtWatch article here.
  • UPDATE: Mucha’s “Slav Epic” in Transit

    Image: Mucha installation in 2011, which will now be shifted across two more continents. Courtesy: The Art Newspaper.

    Read the ArtWatch article here.
  • Review: Center for Art Law Event “F for Fake”.

    Image: Orson Wells in “F for Fake” (1973).

    Read the ArtWatch article here.
  • Where There’s a Will, There’s a Way: Rodin’s Fragile “L’Absolution” Treated for Display & Travel?

    Image: Auguste Rodin’s “L’Absolution” on display. Courtesy: Musée Rodin Paris.

    Read the ArtWatch article here.
  • Mucha’s “Slav Epic” On Tour: What Story Will the Canvases Tell after Two Years of Traveling?

    Image: “The-Slavs in Their Original Homeland” (1912). Courtesy: Mucha Foundation

    Read the ArtWatch article here.
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ArtWatch International is a non-profit 501(c)3 incorporated in the state of New York in 1992 as an international advocate for the voice of art in the conservation and stewardship of historically significant works. It was founded by Columbia University art historian Professor James Beck to serve as a watchdog organization in the arena of cultural policy, protecting works of art and the public interest from vested private and institutional interests. We operate on a project by project basis, establishing task forces to determine the levels and methods of engagement in specific conservation, restoration and cultural policy issues and problems. Some problems have been addressed through scholarly work and publications, other through advisory and consulting arrangements, still others by symposia, debate, lecture forums, and intensive work with the media.

For more from our partner organization, ArtWatch UK, click here:

2017-11 - Saadiyat Island
Article

Satellite Museum Dreams and Misgivings in Abu Dhabi

Ruth Osborne The long-awaited opening of the Louvre Abu Dhabi Museum is actually happening. On November 11th, the site is set to open to fan-fare: “workshops, tours, music, and international performances and a few surprises along the way”.   This is all thanks to generous loans from the Musée du Louvre in Paris, a lending […]

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November 3, 2017/0 Comments/by Ruth
https://www.artwatchinternational.com/wp-content/uploads/2017/11/2017-11-Saadiyat-Island.jpg 442 750 Ruth https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Ruth2017-11-03 14:46:502017-11-03 19:15:31Satellite Museum Dreams and Misgivings in Abu Dhabi
Albert Bierstadt Giant Redwood Trees of California
Article

Master Plan? Or Master Disaster? The Nation’s Arts Community Reacts to the Berkshire Museum’s Plan to Sell 40 Works.

Ruth Osborne The argument for museums and cultural institutions established by generations past to be more relevant to the needs of communities has been going on for years. It appears when museums find themselves without the resources to keep the lights on or repair major structural damages to their historic buildings. When philanthropy and funding […]

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August 4, 2017/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2017-08-04-Albert-Bierstadt-Giant-Redwood-Trees-of-California.jpg 5556 4501 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2017-08-04 16:35:262017-09-28 11:50:05Master Plan? Or Master Disaster? The Nation's Arts Community Reacts to the Berkshire Museum's Plan to Sell 40 Works.
2017-02-13 Mucha Slav Epic Installation 2011
Article

UPDATE: Mucha’s “Slav Epic” in Transit

Readers – An update on our post of February 2017 – Mucha’s “Slav Epic” On Tour –  is in order, as the works by now have opened in exhibition in Tokyo, and the risks inherent in their travel will be made evident soon.  Patrick Connors, a painter with 35 years of extensive professional practice, has written to ArtWatch, […]

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May 23, 2017/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2017-02-13-Mucha-Slav-Epic-Installation-2011.jpg 454 600 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2017-05-23 17:45:302017-09-19 15:28:49UPDATE: Mucha's "Slav Epic" in Transit
2017-04-28 de Soles Knoedler Trial
Article, Review

Review: Center for Art Law Event “F for Fake”

Ruth Osborne Last week, the Center for Art Law hosted an event at the Brooklyn Law School regarding the (unfortunately) highly relevant topic of fakes and forgeries on the art market. Irina Tarsis, Esq., Founder and Director of the organization, introduced Orson Welles’s 1973 film “F for Fake” to begin a discussion on the various […]

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April 28, 2017/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2017-04-28-de-Soles-Knoedler-Trial.jpg 438 640 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2017-04-28 13:53:282017-09-14 15:18:29Review: Center for Art Law Event "F for Fake"
2017-04-11 Conservator Rodin Absolution
Article

Where There’s a Will, There’s a Way: Rodin’s Fragile “L’Absolution” Treated for Display & Travel?

Ruth Osborne The Art Newspaper reported last month on an extremely fragile piece by sculptor Auguste Rodin, held in the collection of the Musée Rodin in Paris, that is now to go on exhibition and on the road. The work, titled “L’Absolution”, was created from plaster and cloth by Rodin, approximately around 1900. Its complicated construction consists of over […]

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April 11, 2017/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2017-04-11-Conservator-Rodin-Absolution.jpg 415 620 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2017-04-11 18:48:022017-09-14 15:57:38Where There's a Will, There's a Way: Rodin's Fragile "L'Absolution" Treated for Display & Travel?
2017-02-13 Mucha Slav Epic Veletrzni Palac Prague
Article

Mucha’s “Slav Epic” On Tour: What Story Will the Canvases Tell after Two Years of Traveling?

Ruth Osborne In one month, an exhibition of turn-of-the-century Czech artist Alphonse Mucha’s Slav Epic (1910-1926) will open to the public at the National Art Center in Tokyo. The artist’s grandson, John Mucha, has been fighting this action for the past several months.  The contracts have been signed, the decision gone to court, and the massive works will now likely be flown from their […]

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February 13, 2017/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2017-02-13-Mucha-Slav-Epic-Veletrzni-Palac-Prague.jpg 2664 4000 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2017-02-13 18:12:132017-09-14 15:58:13Mucha's "Slav Epic" On Tour: What Story Will the Canvases Tell after Two Years of Traveling?
2017-02-13 Barnes Foundation Hornick Unbounded Histories
Article

Doing Over Barnes: Is Shaman Drumming Necessary to Connect with Art?

Ruth Osborne If one is to visit the Barnes Collection in Philadelphia (for the story on its relocation from the original Barnes home in Merion, PA, see here and here), between now and February 19th, one would find something interrupting its experience of the art in this immense and extraordinary collection: shaman drumming and poems to […]

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January 10, 2017/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2017-02-13-Barnes-Foundation-Hornick-Unbounded-Histories.jpg 800 1200 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2017-01-10 18:24:052017-09-26 15:30:31Doing Over Barnes: Is Shaman Drumming Necessary to Connect with Art?
2016-12-19 Victoria & Albert Museum Poster Saatchi & Saatchi
Article, Position Statement

Stewardship of Art in the Face of Museum “Sprawl”.

Ruth Osborne           Our recent post addressing corporate sponsorship and crowdfunding questions the funds behind the support of our artistic and cultural heritage in the past few decades. In that same vein, we felt it important to call to light where major collections are either dividing themselves across continents or are getting swallowed up by larger […]

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December 19, 2016/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2016-12-19-Victoria-Albert-Museum-Poster-Saatchi-Saatchi.jpg 600 450 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2016-12-19 12:51:552017-09-14 15:56:39Stewardship of Art in the Face of Museum "Sprawl".
2016-11-08 Terracotta Warrioers British Museum exhibition
Article, Position Statement

How Much is that Rembrandt on the Gallery Wall?

Ruth Osborne How Much is that Rembrandt on the Gallery Wall? Do we question the money – and the hands holding the money – behind all the art world’s headline-grabbing exhibitions, restorations, and museum expansions? Furthermore, do we consider exactly how that money is being acquired? It may surprising to some that in the very […]

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November 8, 2016/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2016-11-08-Terracotta-Warrioers-British-Museum-exhibition.jpg 432 736 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2016-11-08 16:20:412017-09-14 22:10:16How Much is that Rembrandt on the Gallery Wall?
2016-10-20 Sistine Ceiling Secret of Michelangelo Alexander Eliot
Article, Position Statement

Sistine Ceiling, Before and After Restoration: Looking Back In Order To Look Forward.

Ruth Osborne Several years ago, ArtWatch helped produce a film on the changes that occurred when the Sistine Chapel ceiling underwent restoration in 1980-1994. It considers the frescoes of Michelangelo Buonarroti before and after the massive restoration treatment. We would like to share with you some outtakes of the film that we believe may enlighten viewers […]

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October 20, 2016/0 Comments/by Nick
https://www.artwatchinternational.com/wp-content/uploads/2017/09/2016-10-20-Sistine-Ceiling-Secret-of-Michelangelo-Alexander-Eliot.png 669 955 Nick https://www.artwatchinternational.com/wp-content/uploads/2017/09/Artwatch-International-300x138.jpg Nick2016-10-20 10:29:512017-09-14 22:09:01Sistine Ceiling, Before and After Restoration: Looking Back In Order To Look Forward.
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